Carmen

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Synopsis

Place: Seville, Spain, and surrounding hills
Time: Around 1820

Act 1

A square, in Seville. On the right, a door to the tobacco factory. At the back, a bridge. On the left, a guardhouse.

A group of soldiers relaxes in the square, waiting for the changing of the guard and commenting on the passers-by ("Sur la place, chacun passe"). Micaëla appears, seeking José. Moralès tells her that "José is not yet on duty" and invites her to wait with them. She declines, saying she will return later. José arrives with the new guard, which is greeted and imitated by a crowd of urchins ("Avec la garde montante").

As the factory bell rings, the cigarette girls emerge and exchange banter with young men in the crowd ("La cloche a sonné"). Carmen enters and sings her provocative habanera on the untameable nature of love ("L'amour est un oiseau rebelle"). The men plead with her to choose a lover, and after some teasing she throws a flower to Don José, who thus far has been ignoring her but is now annoyed by her insolence.

As the women go back to the factory, Micaëla returns and gives José a letter and a kiss from his mother ("Parle-moi de ma mère!"). He reads that his mother wants him to return home and marry Micaëla, who retreats in shy embarrassment on learning this. Just as José declares that he is ready to heed his mother's wishes, the women stream from the factory in great agitation. Zuniga, the officer of the guard, learns that Carmen has attacked a woman with a knife. When challenged, Carmen answers with mocking defiance ("Tra la la... Coupe-moi, brûle-moi"); Zuniga orders José to tie her hands while he prepares the prison warrant. Left alone with José, Carmen beguiles him with a seguidilla, in which she sings of a night of dancing and passion with her lover—whoever that may be—in Lillas Pastia's tavern. Confused yet mesmerised, José agrees to free her hands; as she is led away she pushes her escort to the ground and runs off laughing. José is arrested for dereliction of duty.

Act 2

Lillas Pastia's Inn

A month has passed. Carmen and her friends Frasquita and Mercédès are entertaining Zuniga and other officers ("Les tringles des sistres tintaient") in Pastia's inn. Carmen is delighted to learn of José's release from a month's detention. Outside, a chorus and procession announces the arrival of the toreador Escamillo ("Vivat, vivat le Toréro"). Invited inside, he introduces himself with the "Toreador Song" ("Votre toast, je peux vous le rendre") and sets his sights on Carmen, who brushes him aside. Lillas Pastia hustles the crowds and the soldiers away.

When only Carmen, Frasquita and Mercédès remain, the smugglers Dancaïre and Remendado arrive and reveal their plans to dispose of some recently acquired contraband ("Nous avons en tête une affaire"). Frasquita and Mercédès are keen to help them, but Carmen refuses, since she wishes to wait for José. After the smugglers leave, José arrives. Carmen treats him to a private exotic dance ("Je vais danser en votre honneur ... La la la"), but her song is joined by a distant bugle call from the barracks. When José says he must return to duty, she mocks him, and he answers by showing her the flower that she threw to him in the square ("La fleur que tu m'avais jetée"). Unconvinced, Carmen demands he shows his love by leaving with her. José refuses to desert, but as he prepares to depart, Zuniga enters looking for Carmen. He and José fight, and are separated by the returning smugglers, who restrain Zuniga. Having attacked a superior officer, José now has no choice but to join Carmen and the smugglers ("Suis-nous à travers la campagne").

Act 3

A wild spot in the mountains

Carmen and José enter with the smugglers and their booty ("Écoute, écoute, compagnons"); Carmen has now become bored with José and tells him scornfully that he should go back to his mother. Frasquita and Mercédès amuse themselves by reading their fortunes from the cards; Carmen joins them and finds that the cards are foretelling her death, and José's. The women depart to suborn the customs officers who are watching the locality. José is placed on guard duty.

Micaëla enters with a guide, seeking José and determined to rescue him from Carmen ("Je dis que rien ne m'épouvante"). On hearing a gunshot she hides in fear; it is José, who has fired at an intruder who proves to be Escamillo. José's pleasure at meeting the bullfighter turns to anger when Escamillo declares his infatuation with Carmen. The pair fight ("Je suis Escamillo, toréro de Grenade"), but are interrupted by the returning smugglers and girls ("Holà, holà José"). As Escamillo leaves he invites everyone to his next bullfight in Seville. Micaëla is discovered; at first, José will not leave with her despite Carmen's mockery, but he agrees to go when told that his mother is dying. As he departs, vowing he will return, Escamillo is heard in the distance, singing the toreador's song.

Act 4

A square in Seville. At the back, the walls of an ancient amphitheatre

Zuniga, Frasquita and Mercédès are among the crowd awaiting the arrival of the bullfighters ("Les voici ! Voici la quadrille!"). Escamillo enters with Carmen, and they express their mutual love ("Si tu m'aimes, Carmen"). As Escamillo goes into the arena, Frasquita warns Carmen that José is nearby, but Carmen is unafraid and willing to speak to him. Alone, she is confronted by the desperate José ("C'est toi ! C'est moi !"). While he pleads vainly for her to return to him, cheers are heard from the arena. As José makes his last entreaty, Carmen contemptuously throws down the ring he gave her and attempts to enter the arena. He then stabs her, and as Escamillo is acclaimed by the crowds, Carmen dies. José kneels and sings "Ah! Carmen! ma Carmen adorée!"; as the crowd exits the arena, José confesses to killing the woman he loved.

Program and cast

CONDUCTOR
Daniel Oren
23 June 06 July 11, 24 August 06 September

DIRECTION AND SET DESIGN
Franco Zeffirelli
23 June 06 July 11, 24 August 06 September

COSTUMES
Anna Anni
23 June 06 July 11, 24 August 06 September

LIGHTING DESIGN
Paolo Mazzon
23 June 06 July 11, 24 August 06 September

CHOREOGRAPHY
El Camborio
23 June 06 July 11, 24 August 06 September

CARMEN
Clémentine Margaine
23 June 11, 24 August 06 September

Anita Rachvelishvili
06 July

MICAELA
Mariangela Sicilia
23 June 06 July

Olga Kulchynska
11 August

Daniela Schillaci
24 August

Gilda Fiume
06 September

FRASQUITA
Cristin Arsenova
23 June 06 July 11, 24 August 06 September

MERCÉDÈS
Sofia Koberidze
23 June 06 July 11, 24 August 06 September

DON JOSÈ
Freddie De Tommaso
23 June 06 July

Piotr Beczała
11 August

Vittorio Grigòlo
24 August 06 September

ESCAMILLO
Erwin Schrott
23 June

Dalibor Jenis
06 July 11 August

Gëzim Myshketa
24 August

Luca Micheletti
06 September

DANCAIRO
Jan Antem
23 June 06 July 11, 24 August 06 September

REMENDADO
Didier Pieri
23 June 06 July 11, 24 August 06 September

ZUNIGA
Giorgi Manoshvili
23 June 06 July 06 September

Gabriele Sagona
11, 24 August

MORALES
Christian Federici
23 June 06 July

Nicolò Ceriani
11, 24 August 06 September

Verona Arena

The seats categories by age, it is to highly recommend for older persons only the stalls/parterre/orchestra seats (platinum, gold, silvera, poltronissima and poltrona categories), the rest of the seats on the stairs are not easy to climb, the stone blocks are each of about 0,5m high, the old stone stairs aren not everwhere available, it can be really hard to reach the seats, the first lines, tribunes, not to mention the last levels. Opticaly the arena seems to be not extra big, actually it is quite huge, the capacity of the half of the arena today, adapted for the Arena Opera Festival is of: 15.000,00 spectators. It is about half of the space, the rest is taken for the stage set up. There are no seats behind the stage for view reasons.

 

1.*Explore more with the Verona Card!

 

Verona Card is your key to the city, unlocking its rich cultural heritage and helping you save!  

This combined ticket gives you savings on entrance to the main sights in the city, from the Arena to Juliet’s House, from Castelvecchio to the Museo Archeologico at the Teatro Romano.

There are two versions of the card available: a 24-hour card for €20 and a 48-hour card for €25. And that is not all: with the Verona Card, you can travel on buses in the city for free!

Let me show you some of the benefits of this card in more detail.

The following places offer free admission to Verona Card holders:

The Verona Arena,

The Arche Scaligere Tombs,

Basilica di Sant’Anastasia,

Basilica di San Zeno,

Juliet’s House,

San Fermo Church,

Verona Cathedral,

GAM Achille Forti modern art gallery,

Castelvecchio Museum,

Natural History Museum,

Juliet’s Tomb and frescoes museum and the Lamberti towers. 

The following places offer discounted admission to Verona Card holders:

Fondazione Museo Miniscalchi Erizzo

Museo Africano

Giardino Giusti

Further reductions:

Arena di Verona Opera Festival,

SIM Shakespeare Interactive Museum,

guided tours of the city centre,

the tourist train around the city centre,

CitySightseeing Verona,

Simonetta Bike Tours,

Saba Arena car park,

Adige Rafting.

Outside Verona: Museo Nicolis in Villafranca, Parco Sigurtà in Valeggio sul Mincio.

Important information:
- The Verona Card only gives admission to each museum/monument once.
- On the first Sunday of every month, from October to May, entrance to the public museums in Verona is just €1.
- The prices shown are subject to change, outside the control of the organisers.
- The Verona Card is non-refundable in the event of changes to the opening hours or the closure of the partner attractions, or in the event of a strike, public holiday or for other reasons, outside the control of the organisers.
- On buses run by ATV, the Verona Card must be validated by placing the card on the reader.
- The Verona Card is not valid on the Aerobus airport shuttle.
- The opening times of all of the listed attractions, in particular the Arena and churches, are subject to change for shows, services, special events and public holidays.

The Verona Arena (Arena di Verona) is a Roman amphitheatre in Piazza Bra in Verona, Italy built in 30 AD. It is still in use today and is internationally famous for the large-scale opera performances given there. It is one of the best preserved ancient structures of its kind.

 

2. City Sightseeing® Verona*

 

City Sightseeing® Verona allows you to admire city walls, castles, barracks, landscapes and historical, cultural, military, folkloristic and culinary testimonies, of a city declared a World heritage site by UNESCO.

The City Sightseeing®Verona has two sightseeing tours, sharing the departure in Piazza Bra, the Arena Square, symbol of the city.

The Line A leads to the Garderns Pradaval, reaching the medieval walls and getting to the district of San Zeno, with its famous Basilica; it moves towards the Adige, getting to Castelvecchio and continuing towards the Porta dei Borsari, the Roman Theatre and the Stone Bridge, the eldest monument of the city.

The Line B concerns the eastern part of the city, before moving to one of the most beautiful overlooks, Castel San Pietro. It then goes down then the hill and enters the city's historic district, where you can admire the typical bell towers of the Cathedral of Saint Anastasia. From here you can reach Piazza Erbe and Piazza dei Signori, until you get to Juliet's House.

Amphitheatre

The building itself was built in AD 30 on a site which was then beyond the city walls. The ludi (shows and games) staged there were so famous that spectators came from many other places, often far away, to witness them. The amphitheatre could host more than 30,000 spectators in ancient times.

The round façade of the building was originally composed of white and pink limestone from Valpolicella, but after a major earthquake in 1117, which almost completely destroyed the structure's outer ring, except for the so-called "ala", the stone was quarried for re-use in other buildings. Nevertheless it impressed medieval visitors to the city, one of whom considered it to have been a labyrinth, without ingress or egress. Ciriaco d'Ancona was filled with admiration for the way it had been built and Giovanni Antonio Panteo's civic panegyric De laudibus veronae, 1483, remarked that it struck the viewer as a construction that was more than human.

 

Musical theatre

 

The first interventions to recover the arena's function as a theatre began during the Renaissance. Some operatic performances were later mounted in the building during the 1850s, owing to its outstanding acoustics.

And in 1913, operatic performances in the arena commenced in earnest due to the zeal and initiative of the Italian operatenor Giovanni Zenatello and the impresario Ottone Rovato. The first 20th-century operatic production at the arena, a staging of Giuseppe Verdi's Aida, took place on 10 August of that year, to mark the birth of Verdi 100 years before in 1813. Musical luminaries such as Puccini and Mascagni were in attendance. Since then, summer seasons of opera have been mounted continually at the arena, except in 1915–18 and 1940–45, when Europe was convulsed in war.

Nowadays, at least four productions (sometimes up to six) are mounted each year between June and August. During the winter months, the local opera and ballet companies perform at the L'Accademia Filarmonica.

Modern-day travellers are advised that admission tickets to sit on the arena's stone steps are much cheaper to buy than tickets giving access to the padded chairs available on lower levels. Candles are distributed to the audience and lit after sunset around the arena.

Every year over 500,000 people see productions of the popular operas in this arena.[3] Once capable of housing 20,000 patrons per performance (now limited to 15,000 because of safety reasons), the arena has featured many of world's most notable opera singers. In the post-World War II era, they have included Giuseppe Di Stefano, Maria Callas, Tito Gobbi and Renata Tebaldi among other names. A number of conductors have appeared there, too. The official arena shop has historical recordings made by some of them available for sale.

The opera productions in the Verona Arena had not used any microphones or loudspeakers until an electronic sound reinforcement system was installed in 2011.

 

How to reach Verona

 

By Car
Verona is easily reached by taking:
- the A4 Motorway SERENISSIMA, Milan-Venice, exit Verona Sud.
- or by taking the A22 Motorway Brennero-Modena, followed by the A4 Motorway Milan-Venice, direction Venice, exit Verona Sud.
Then follow the signs for all directions ('tutte le direzioni) followed by the signs for the city centre. 
Approximative distances from Verona by Motorways:
Vicenza km 51 Venezia km 114 Florence km 230 
Brescia km 68 Bologna km 142 Rome km 600 
Padova km 84 Bolzano km 157 Naples km 800 
Trento km 103 Milan km 161 

By Bus
The city centre is linked to the surrounding towns and villages, as well as Lake Garda, by a public transport bus service (the buses are blue in colour) which can be accessed at the bus station, situated directly opposite the train station (APTV Service). Click here for timetables and routes. 


By Train
The main railway station is VERONA PORTA NUOVA, which is the crossroads of both the Milan - Venice line and the Brennero - Rome line. 
There are direct trains and InterCity trains from all the main railway stations in the north of Italy throughout the day. 
Duration of trip : from Padua 40 minutes; from Vicenza 30 minutes; from Venice 1½ hours; from Milan 2 hours and from Rome 5 hours. 
City buses can be taken from the train station to the city centre and arrive in Piazza Bra, the central square where the Arena Amphitheatre is found. 
The Bus numbers are 11, 12, 13, 14, 72 and 73. 

By Plane
Verona's international Airport Catullo in Villafranca is situated approximately 10 km S-W of the city centre. 
There is a shuttle bus service to and from the airport approximately every 20 minutes from 06.10 to 23.30. 
The airport bus terminal is outside Porta Nuova Railway Station. 
Brescia Montichiari Airport which is situated approximately 52 kilometres from Verona, is also linked to Verona Porta Nuova Train station by a shuttle bus which runs approximately twice a day, in the morning and in the evening. Again the bus terminal is outside Porta Nuova Railway Station. 

 

Parking  nearby - Getting by car and parking next to the Arena
 

From highway A4 or A22 get the exit for Verona Sud.
Follow the signal “tutte le direzioni” (all directions) and then Verona city centre. 

Parking Arena 100m
Via M.Bentegodi,8 - Verona - 37122

Parking Arsenale
Piazza Arsenale,8 - Verona - 37126

Parking Isolo
Via Ponte Pignolo, 6/c - Verona - 37129

Parking Polo Zanotto
Viale Università,4 - Verona - 37129

There are plenty of restaurants and hotels next to the ancient amphitheatre.

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