Kata Kabanova
August 2025 | ||||||
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Mo | Tu | We | Th | Fr | Sa | Su |
A powerful tale of love and heartache in a searingly beautiful staging.
Trapped in an unhappy marriage Káťa is drawn into a passionate affair. As a wild storm brews, she is overwhelmed by her actions. Damiano Michieletto’s raw staging cuts to the heart of Káťa’s guilt and despair as she makes a choice between love and life itself.
Sung in Czech with English supertitles.
Synopsis
Act I
Schoolteacher Váňa Kudrjaš stands on the banks of the river Volga, lost in its beauty. His contemplation is interrupted by two men. Despite the fact that it is Sunday, Dikoj is busy scolding his nephew Boris for his laziness. Once his uncle has gone Boris explains to Kudrjaš that his uncle controls his inheritance; until he is 21 he is completely in his power. Boris then confesses a secret to his friend – he has fallen in love with Káťa Kabanová, the wife of the drunken merchant Tichon.
At that moment the Kabanová family appears, returning home from church. The widow Kabanicha is berating her son Tichon for neglecting his mother and his duties in favour of his young wife. Both Káťa and Tichon try to placate her, but only inflame her further.
Alone with the family’s adopted daughter Varvara, Káťa talks about her childhood – a time of peace and freedom. She longs to find that freedom again, and has even imagined taking a lover. Tichon interrupts them: he is leaving on business and must say goodbye. Before he goes, his mother Kabanicha insists that he gives his wife instructions on how to behave. Unwillingly, Tichon obeys, and his wife embraces him as he departs.
Act II
Kabanicha reproaches Káťa: why can’t she display the proper grief at her husband’s absence? After Kabanicha leaves, Varvara tells Káťa that she has stolen the key to the garden gate. She plans to meet her lover Kudrjaš there that evening, and hopes that Káťa will come too and meet Boris. Initially hesitant, Káťa eventually agrees.
That night, while a drunken Dikoj romps secretly with Kabanicha, Varvara and Kudrjaš keep their assignation. Heading off to the river together, they leave Boris and Káťa alone. Boris declares his love and after some resistance Káťa reciprocates. The four lovers share their final embraces before the two women return indoors.
Act III
A few days later, Kudrjaš and his friend Kuligin find themselves caught in a sudden, violent storm. Taking shelter in a ruined building, they are soon joined by other townsfolk. While the scientific young teacher sees only electricity in the power of the storm, for the superstitious Dikoj it is God’s wrath.
The rain begins to ease, and just as everyone is dispersing Káťa appears, beside herself. Tichon has returned and she is overcome by the weight of her guilt. In front of everyone she confesses her infidelity to him, before running off into the storm.
Varvara and Kudrjaš make plans to run away to Moscow together, while Tichon searches helplessly for his wife. Káťa, wandering wildly by the river, encounters Boris. They embrace, but he tells her that he must leave immediately on his uncle’s orders. When she realises that she cannot go with him, Káťa throws herself into the river – she has nothing left to live for. Her corpse is recovered from the river. Tichon, heartbroken, flings himself on Káťa’s body, while Kabanicha coldly thanks her neighbours for their help.
Program and cast
Performance timings
Timings are subject to change.
Restaurants open*
DATES:
3, 6, 9, 12, 14, 17, 20, 23 AUGUST
Gardens open: 2.00pm
Opera starts: 4.00pm
Interval (90 mins)*: 5.05pm
Opera resumes: 6.35pm
Opera ends: 7.05pm
Káťa Kabanová - Kateřina Kněžíková
Kabanicha - Susan Bickley
Dikój - John Tomlinson
Boris - Nicky Spence
Conductor - Robin Ticciati
Director - Damiano Michieletto
Set Designer - Paolo Fantin
Costume Designer - Carla Teti
Lighting Designer - Alessandro Carletti
London Philharmonic Orchestra
The Glyndebourne Chorus
The music edition of Káťa Kabanová used in these performances is published by Universal Edition
Glyndebourne
Glyndebourne’s founders, John Christie and wife Audrey Mildmay, opened the first Festival here in 1934. Today our world-renowned auditorium and standards of excellence are testament to John’s original ethos: Not just the best we can do but the best that can be done anywhere.
In the years that followed, Glyndebourne continued to be headed by the Christie family, George Christie following in 1962 and then his son Gus, now Executive Chairman, in 2000.