Orpheus and Eurydice

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Orfeo ed Euridice (Orpheus and Eurydice)
Music by Christoph Willibald Gluck
A theatrical action for music in three acts based on the myth of Orpheus, with a libretto by Ranieri de’ Calzabigi
Vienna version 1762
Edition by Casa Musicale Sonzogno di Piero Ostali, Milan
World premiere on 5 October 1762 at the Burgtheater in Vienna

 

Duration 1h 30′, without intermission

Program and cast

Orfeo - CARLO VISTOLI
Euridice - FRANCESCA PIA VITALE
Amore - THEODORA RAFTIS

 

Conductor - Fabio Biondi
Director - Shirin Neshat
Set design - Heike Vollmer
Costumes - Katharina Schlipf
Lighting - Valerio Tiberi
Choreography - Claudia Greco
Dramaturgy - Yvonne Gebauer
Director of Photography - Rodin Hamidi
FILARMONICA ARTURO TOSCANINI
CHOIR OF THE TEATRO REGIO DI PARMA
Chorus Master - Martino Faggiani
New production Teatro Regio di Parma
Co-production with ITeatri di Reggio Emilia
Performance with Italian surtitles

Teatro Regio di Parma

The Teatro Regio di Parma, originally constructed as the Nuovo Teatro Ducale (New Ducal Theatre), is an opera house and opera company in Parma, Italy.

Replacing an obsolete house, the new Ducale achieved prominence in the years after 1829, and especially so after the composer Giuseppe Verdi, who was born nearBusseto, some thirty kilometres away, had achieved fame. Also well known in Parma was the conductor Arturo Toscanini, was born there in 1867.

As has been noted by Lee Marshall, "while not as well known as La Scala in Milan or La Fenice in Venice, the city’s Teatro Regio....is considered by opera buffs to be one of the true homes of the great Italian tradition, and the well-informed audience is famous for giving voice to its approval or disapproval – not just from the gallery."

The 1,400-seat auditorium, with four tiers of boxes topped by a gallery, was inaugurated on 16 May 1829 when it presented the premiere of Vincenzo Bellini's Zaira, a production which was staged another seven times, although it did not prove to be popular with the Parma audiences. Initially Rossini had been invited to compose a work for the inauguration of the house, but he was too busy and so the task fell to Bellini. However, that inaugural season saw three Rossini operas staged, including Moïse et Pharaon, Semiramide, and Il barbiere di Siviglia.

Today, the company stages about four operas each season from mid January to April and, since 2003, it has presented an annual Verdi Festival each October.

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