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Madama Butterfly

VenueTeatro Regio di Parma
CalendarFri 16 Apr 2027 - Sat 24 Apr 2027
Synopsis/Details

Synopsis

Act 1

In 1904, a U.S. naval officer named Pinkerton rents a house on a hill in Nagasaki, Japan, for himself and his soon-to-be wife, "Butterfly". Her real name is Cio-Cio-San (from the Japanese word for "butterfly" (蝶々, chōchō; pronounced [tɕoꜜːtɕoː]); -san is a plain honorific). She is a 15-year-old Japanese girl whom he is marrying for convenience, and he intends to leave her once he finds a proper American wife, since Japanese divorce laws are very lenient. The wedding is to take place at the house. Butterfly had been so excited to marry an American that she had earlier secretly converted from Buddhism to Christianity. After the wedding ceremony, her uninvited uncle, a bonze, who has found out about her conversion, comes to the house, curses her and orders all the guests to leave, which they do while renouncing her. Pinkerton and Butterfly sing a love duet and prepare to spend their first night together.

 

Act 2

Pinkerton left shortly after the wedding, and three years later, Butterfly is still waiting for him to return. Her maid Suzuki keeps trying to convince her that he is not coming back, but Butterfly does not believe her. Goro, the marriage broker who arranged her marriage, keeps trying to marry her off again, but she does not listen to him either. The American consul, Sharpless, comes to the house with a letter, which he has received from Pinkerton who asks him to break some news to Butterfly: that Pinkerton is not coming back to Japan. However, Sharpless cannot bring himself to finish it. Sharpless asks Butterfly what she would do if Pinkerton were not to return. She then reveals that she gave birth to Pinkerton's son after he had left and asks Sharpless to tell him.

From the hill house, Butterfly sees Pinkerton's ship arriving in the harbour. She and Suzuki prepare for his arrival, and then they wait. Suzuki and the child fall asleep, but Butterfly stays up all night waiting for him to arrive.

 

Act 3

Suzuki wakes up in the morning and Butterfly finally falls asleep. Sharpless and Pinkerton arrive at the house, along with Pinkerton's new American wife, Kate. They have come because Kate has agreed to raise the child. But, as Pinkerton sees how Butterfly has decorated the house for his return, he realizes he has made a huge mistake. He admits that he is a coward and cannot face her, leaving Suzuki, Sharpless, and Kate to break the news to Butterfly. Agreeing to give up her child if Pinkerton comes himself to see her, Butterfly prays before statues of her ancestral gods, says goodbye to her son, and blindfolds him. She places a small American flag in his hands and goes behind a screen, stabbing herself with her father's tantō. Pinkerton rushes in, but he is too late, and Butterfly dies.

 

  • Where is Teatro Regio di Parma located?
    • Teatro Regio di Parma is located in the historic centre of Parma, Italy, a city renowned for its rich musical heritage and opera tradition. The adress is Str. Giuseppe Garibaldi, 16/A, 43121 Parma, Italy.
  • How early should I arrive before the performance?
    • We recommend arriving at least 30 minutes before the scheduled start time. This will give you enough time to find the entrance, have your ticket ready, use the cloakroom if needed, and locate your seat. Please allow extra time if you are unfamiliar with the venue.
  • What is the dress code at Teatro Regio di Parma?
    • Smart casual attire is recommended. Guests may also choose to dress more formally for evening opera performances or special events. While formal evening wear is not generally necessary, we recommend avoiding beachwear, sportswear, and excessively casual clothing.
  • Is there a cloakroom at Teatro Regio di Parma?
    • Yes. The theatre has a cloakroom where visitors can leave coats, umbrellas, hats, and bags. Availability and any applicable restrictions may depend on the performance.
  • Is Teatro Regio di Parma accessible to visitors with reduced mobility?
    • The theatre offers wheelchair-accessible routes and designated spaces for wheelchair users. Accessible seating should be arranged in advance. Contact us directly to ensure that suitable places are available.
  • Are photography and video recording allowed during performances?
    • Photography, audio recording, and video recording are not permitted during performances. Please switch off your mobile phone and watch alarms before the show begins.
Cast

Music Giacomo Puccini
Japanese tragedy in three acts
Libretto by Luigi Illica and Giuseppe Giacosa (from John L. Long and David Belasco)
Casa Ricordi, Milan
First performance on 17 February 1904 at the Teatro alla Scala, Milan

 

director Renato Palumbo
direction, sets, costumes Pier Luigi Pizzi
lighting Massimo Pizzi Gasparon Contarini

ITALIAN PHILHARMONIC ORCHESTRA
CHORUS OF THE THEATRE REGIO OF PARMA
Chorus Master Martino Faggiani

Installation by the Sferisterio Arena Association of Macerata

show with Italian surtitles

 


Cast
Madama Butterfly:
Carolina López Moreno
Suzuki:
Valentina Pernozzoli
Kate Pinkerton:
Irina Bogdanova
F.B. Pinkerton:
Piero Pretti
Sharpless:
Alessandro Luongo
Goro:
Enrico Casari
Lo zio Bonzo:
Baopeng Wang

Venue
Teatro Regio di Parma

The Teatro Regio di Parma, originally constructed as the Nuovo Teatro Ducale (New Ducal Theatre), is an opera house and opera company in Parma, Italy.

Replacing an obsolete house, the new Ducale achieved prominence in the years after 1829, and especially so after the composer Giuseppe Verdi, who was born nearBusseto, some thirty kilometres away, had achieved fame. Also well known in Parma was the conductor Arturo Toscanini, was born there in 1867.

As has been noted by Lee Marshall, "while not as well known as La Scala in Milan or La Fenice in Venice, the city’s Teatro Regio....is considered by opera buffs to be one of the true homes of the great Italian tradition, and the well-informed audience is famous for giving voice to its approval or disapproval – not just from the gallery."

The 1,400-seat auditorium, with four tiers of boxes topped by a gallery, was inaugurated on 16 May 1829 when it presented the premiere of Vincenzo Bellini's Zaira, a production which was staged another seven times, although it did not prove to be popular with the Parma audiences. Initially Rossini had been invited to compose a work for the inauguration of the house, but he was too busy and so the task fell to Bellini. However, that inaugural season saw three Rossini operas staged, including Moïse et Pharaon, Semiramide, and Il barbiere di Siviglia.

Today, the company stages about four operas each season from mid January to April and, since 2003, it has presented an annual Verdi Festival each October.

Accomodation

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